The reading’s cast includes, in top row: Blair Brown, Michael Cumpsty, Oakes Fegley, Bill Irwin, Kevin Isola and Karl Kenzler; bottom, Bebe Neuwirth, Duane Noch, Gregory Noll, Steven Skybell, Phillipa Soo and Sam Waterston. (Two River Theater photo. Click to enlarge.)
[UPDATE: On July 31, the Two River Theater announced a cancellation of this event, with automatic refunds to be made to ticketholders. In addition, the theater said it is “planning a public forum to continue this complex conversation about representation in the theater.”]
Red Bank’s Two River Theater Company issued an apology Tuesday for “not having cast more artists of color” in a star-studded play reading scheduled for next week.
Brenda Pressley takes center stage as Willetta, a 1950’s African American actress at work on a play-within-a-play, as TROUBLE IN MIND continues through the weekend at Two River Theater. (Photo by T. Charles Erickson)
You don’t need much if any direct experience with the Business of Show to reckon that the process of putting something on the stage — the tectonic shift of strong egos, the conflicts and the compromises, the whole backstage pageant — can often be way more compelling than the show itself.
It’s a concept that was grasped beautifully by the late Alice Childress in Trouble in Mind, the comedy-drama that opened last week at Red Bank’s Two River Theater and continues through the weekend (including a 3 p.m. matinee Easter Sunday) in a dynamite production directed by Jade King Carroll.
A first responder benefitting spring edition of Street Fair returns to Red Bank Sunday while, below, the one and only GROUCHO goes wild, in the person of Frank Ferrante, Friday night at the Basie.
RED BANK: “We all want to be Groucho,” Frank Ferrante told us a few seasons back, “to be that wild, irreverent pulverizer of those in power.”
In the acclaimed stage show An Evening with Groucho, the actor-director gets to be all that and more, as his spot-on channeling of the classic comic force of nature Groucho Marx comes to the Count Basie Theatre for the first time. Performed with piano accompaniment, minimal set and trademark makeup, the 90-minute, all-ages friendly tour de farce mixes canonical Marxist quotes, anecdotes from a life in show business, signature silly songs (“Hooray for Captain Spalding,” “Lydia, the Tattooed Lady”), and — in a bracingly contemporary touch — an interactive element that finds Ferrante/Groucho duckwalking the theater aisles. “Fully one-third of it is improvised,” says Ferrante. “That’s what Groucho’s magic was, really – the ability to create comedy on the spot.” Get your tickets ($19 – $49) right here — and when you take it ’round the corner for more Weekender wonderment, tell ’em Groucho sent you.
Veteran character actor Robert Hogan (left) stars in ‘On Borrowed Time,’ the season-opening Two River Theater Company production directed by Broadway legend Joel Grey (right).
By TOM CHESEK
It’s a moving pre-war story of life, love, death and devotion, set in small-town America, shot through with a plain-speak wit and eloquence, and featuring an ensemble cast of young and old actors.
It’s not Our Town, but On Borrowed Time, a fantasy that also made its bow in 1938 — and beginning this weekend, Red Bank’s Two River Theater Company celebrates the play’s 75th anniversary with a new production that kicks off the troupe’s own 20th anniversary season. It also marks a homecoming of sorts for a genuine Broadway legend.
The script by playwright and screenwriter Paul Osborn concerns an elderly “Gramps,” whose young grandson “Pud” is left in his care after Death — personified as one Mr. Brink — claims the boy’s parents and grandmother. Wanting to keep Death away from his own doorstep — and seeking to fend off Pud’s money-grubbing aunt Demetria — Gramps employs a little wishing magic and wily wisdom to trick Mr. Brink into becoming trapped in the old man’s apple tree. When Death takes a holiday, what seemed like a victory soon poses its own set of problems.
A hit in its original run, the play was made into a film with Lionel Barrymore in 1939. Two years later, a nine-year-old performer by the name of Joel Grey stepped into the part of Pud, inaugurating a long-playing stage career that would see him win a Tony (and an Oscar, for the same role) as the Master of Ceremonies in Cabaret.
With TRTC’s season-opening production, Grey (whose Broadway roles in recent years have included Wicked and Anything Goes) returns to On Borrowed Time — this time as director.
Tony-nominated director Sam Buntrock, left, and Obie winning actor Michael Cumpsty bring Shakespeares comedy MUCH ADO ABOUT NOTHING to the Red Bank stage beginning this weekend at Two River Theater.
By TOM CHESEK
Flash back to the evening of May 2. The folks at Red Banks Two River Theater Company were proudly unveiling the 2011-2012 season of mainstage entertainments at their branded Bridge Avenue arts center their first under the purview of artistic director John Dias, and the first to offer an expanded schedule of seven productions (plus a holiday-season family show) at both of the buildings performance spaces.
For several magical minutes, however, the auditorium named for TRTC founders Robert and Joan Rechnitz was the bully pulpit of a special guest British-born actor Michael Cumpsty, a major presence on Broadway and Off-Broadway stages (he won a 2006 Obie award for playing no less a role than Hamlet) and a sought-after specialist in the works of one William Shakespeare.